|
by Binro POE post 12/05/2008, 2:29pm PST |
|
|
|
|
|
I first saw it when I was eight or nine. It came on the late night creature feature one Saturday night. (This was the 1970s, before Turner got his grimy mitts on all those great old movies) I didn't understand everything, but what I got was this: Cool robot can vaporize shit with his eye laser thingy. Aliens think we're dangerous & crazy and they're right.
As I grew older, I got to see it a few more times and began to appreciate the more subtle elements of the story. I had also learned more of the social and political situations during the cold war era which really helped me appreciate the overall message of the film. I own it on DVD and still like to watch it on a lazy Sunday afternoon.
By the way, Lead Actor; Michael Rennie (sp?) Directed By: Robert Wise. The screenplay was based on a short story called Farewell to the Master. I have an anthology of short stories upon which popular sci-fi movies were based and this story is in it. It also has We can Remember it for You Wholesale, which was the basis for total recall, Who Goes There, which was the basis for both versions of The Thing and The Sentinel, basis for 2001: A Space Odyssey.
It was a part of my childhood. It was one of the stories that taught me sci-fi wasn't JUST about light saber duels, rubber monsters and robots melting shit with their laser eye thingys. I can't describe it exactly. I fully intended to ignore this thing. I knew it would be another excuse for Canoe to play the Messiah and for the producers to make a shitload of shitty CG effects. You remember when the Taliban blew up those huge Buddhas? The trailers for this remake fill me with the same sense of sadness and loss I felt seeing those massive carvings demolished. It may be silly, but there you go.
|
|
|
|
|
|
|
|