Easily one of the best 2D platformers ever. Artwork is absolutely gorgeous. Music is also pretty great (for a cartoon) and catchy, although some tracks are completely ruined because somebody thought there was anything redeemable about Yoshi’s Story.

I hate to sound like I’m making excuses, but the real challenge [*fine oak pipe*] is in collecting the little lightning bugs on each level to reach the 350 target. Rather than being about tediously scouring every square inch of a level to collect them all, they’re usually set up in a way that reveals some incredibly tight level design and platforming gameplay. If you just try to finish the levels you’ll probably blow through the game in a few hours. The final levels (and the treasure chase levels) at first feel like they’ve gone into bullshit Super Meat Boy level design territory where you need impossibly precise timing to get through them, but the game controls much much better than Super Meat Boy and all of the hazards really just wind up being perfectly placed timing markers telling you to jump. For example, (spoilers) this level (5:15 to 6:15) seems like impossible bullshit at first, but then it turns out to be pretty easy and you feel like a million bucks when everything clicks. Also unlike Super Meat Boy, you can still make minor mistakes and live. I did the last half of that segment slightly differently and still survived pretty easily.

In addition to platforming levels, there’s also old arcade-style side-scrolling shooter levels which are all very solid and fun. Breakout, Donkey Kong, Pac-Man and Centipede also make some gameplay cameo appearances.

Worst part of the game are that there’s some puzzle bosses that all but require you to die as you figure out the patterns / stages of the fight. The game resets you pretty quick so it’s not too bad.

(Oh and I think just over 400,000 people worked on this game. Credits are 18 minutes long.)

Link to comments.

Rafiki

Best Worst Movie is a documentary about the resurgent popularity of the “Worst Movie of All Time,” Troll 2. I had not seen Troll 2 before seeing Best Worst Movie, and you don’t have to see it either. After viewing BWM, I watched T2, and then I went back and watched BWM again. The experience wasn’t really different; T2 just made me want to see BWM.

Short version of this review:

Troll 2 is an entertaining piece of trash cinema that fans of trash cinema will enjoy. Best enjoyed with a group.

Best Worst Movie is an essential documentary about what it means to be an amateur, and what it means to be a fan of outsider art.

For those who haven’t seen either, here’s basically what happened: Troll 2 was an ultra-low-budget horror movie made by an Italian filmmaker back in the 80s, using an American cast of amateur actors who had no idea what the movie was supposed to be about (due to the language barrier). The result was a weirdly enjoyable high-energy horror movie which resides somewhere between the first Troll movie and a John Waters film. Troll 2 gained a cult following on VHS, culminating in an arthouse revival tour where the original cast got to go out and give autographs and do Q&A sessions about what it’s like to have been in the “Worst Movie Of All Time.”

The biggest thing that I noticed while watching Best Worst Movie is that there really are two kinds of fans of trash cinema. The 1st kind likes watching a lot of movies and appreciates that really low-budget filmmakers are like independent bands: freed of the constraints placed on a filmmaker by “budgets” and “craftsmanship,” low-budget filmmakers are free to make movies that are nothing at all like any other movie. The 2nd kind is this kind of reprehensible disgusting hipster video store clerk guy who likes talking shit about things.

The documentary, I think, does a really good job of contrasting the two types of fan. On the one hand, you’ve got the people who put on the revivals, a movie critic guy, and a group out in Canada that have a yearly party where they play Troll 2 games and have a good time. These are the first kind of fan. The critic says something that I think is really important: Troll 2 gets called the worst movie of all time, but it can’t be the worst movie of all time because it’s not boring and it has tons of fans. I AGREE WITH THAT GUY. This is a complaint that I’ve always had with the people that call Ed Wood a bad filmmaker. Watch Glen Or Glenda? sometime, and then watch The Story of Us some time, and ask yourself which one you would ever watch again. QUESTION: Does that mean that Rob Reiner is the worst filmmaker of all time, because he made a movie that was worse than a movie made by history’s worst director? Explain yourself with well-reasoned sentences.

The Q&A sessions at the revival viewings are full of the awful 2nd type. These guys all showed up to stick it to the cast and the director, to say “what’s in God’s name were you thinking when you made this piece of garbage?” They say this shit to the director of a movie that they just watched and enjoyed. The director is a total blowhard, and much is made of this, but his basic statement is “I’ve made 40 fucking movies. Where’s *your* movies, dickwad?” I AGREE WITH HIM, TOO. Maybe he’s got no talent (not maybe: he’s got no talent), but he is a filmmaker, what is this guy? A guy who goes to viewings of movies just to talk shit? Fuck you, buddy!

That’s not really the emphasis of the movie. That’s just what I took away from it; I had to have a moment of introspection as I thought about how much I hated some of the “fans” in this movie despite being a trash movie fan myself. Huh. LET’S TALK ABOUT ME, THIS MOVIE IS REALLY ABOUT ME. No, it’s not.

The real emphasis of the movie – which really makes it kind of fit as a piece with the set of movies like Chasing Ghosts and King of Kong is that it deals most with how the actors and actresses in Troll 2 have dealt with their brush with fame. All of the actors that were in the movie are always thinking of ways to get back in the show, despite the fact that they were never really in it. In particular, it deals with the father in the movie (played by George Hardy). George (and the documentarian, who was a child actor in Troll 2) go to a lot of conventions in the film, and we get to sit with George as he realizes that most of the people in the booths are people like him who never really made it. It’s kind of heartbreaking to think about because you really get the sense that George feels like he missed his calling; he really thinks of himself as a failed actor, despite the fact that he is a well-respected dentist and a very, VERY beloved member of his community. His ex-wife is in the movie and she says it best when she says something along the lines of “You know he’s a good guy when I really like him a lot and I’m his ex-wife.” He is an outrageous success by various measurements, but he measures himself against his success in show business, and comes up a failure.

It’s hard not to look askance at your rack of synthesizers and wall of guitar amps when every single one of these movies has a guy that hopes to make it as a musician someday, including Walter Day.

Anyways, I probably spoiled too much or something, Best Worst Movie is definitely worth seeing, it has interesting things to say about the human condition. Also, the end credits music (“My Only Offer” by Mates of State) is the most perfectly-selected end credits music of all time.

Link to comments.

FullofKittens

American Scary

I came by my love of horror movies via a Saturday afternoon block called Thriller Double Feature that played on a local UHF station. We’d spend every Saturday when I was a kid lazily watching the TV as it played and replayed TV-safe versions of what would later be known as classic cult films (The Incredible Melting Man, One Dark Night, and Zombie Lake were regulars that spring to mind). It was just fantastic, and I’ve often wondered why I try so hard to recreate that vibe by watching modern day horror films without succeeding.

American Scary proposes that the difference was the commercials. As MFFE mentioned in another thread, a little break now and again isn’t a bad thing. American Scary is a doc about the history of late-night horror movie hosts: the countercultural precursors to Elvira and the Cryptkeeper that worked nights at local stations and leavened the weirdness with stupid comedy bits where they’d make jokes about doing medical experiments on bikini girls. It’s an interesting topic and they get a lot of good interviews. They also get a lot of bad interviews – like everything old that was interesting, there is now a horrific fan culture around it – and the thing was clearly made for like a thousand bucks. Still, it kept my attention throughout and I can’t help but wonder whether Count Scary wouldn’t have made my experiences with modern day horror more enjoyable.

Weakly recommended to all, strongly recommended if you’re like me and remember a weekly horror show on TV.

American Grindhouse

This is a doc all about the history of grindhouse cinema. It presents a good overview of cult films and it has a lot of cultural context that I (a genre fan) didn’t know much about, so that’s good. They score a lot of good interviews here, too. I saw this a couple of weeks ago and I don’t remember it too well but I watched it all the way through; it’s the one that inspired me to watch the rest of these movies.

Recommended for fans of trashy films. At the very least you’ll find out about some new movies you want to see.

Machete Maidens Unleashed!

PAYDIRT. This is a doc all about Filipino exploitation films of the 60s and 70s. Apparently a lot of the “women in cages” movies that are somewhat well-known (The Big Doll House, The Big Bird Cage) were part of a larger scheme being run by Roger Corman at the time: he hired Filipino directors to make these hugely explicit, prurient, violent movies on a shoestring budget, and Imelda Marcos wanted so badly to have a domestic film industry that the army got involved. Fantastic stuff. BONUS: lots of interviews with the ladies who starred in the films, who simultaneously disown the films and are obviously proud to have been SO STONKING HOT back in the 70s. Also: interviews with Quentin Tarantino and John Landis (who was interviewed for literally all five of these movies).

Recommended to everybody who likes violence, nudity, and documentaries.

Not Quite Hollywood

Holy shit! I figured I would have peaked out at Machete Maidens Unleashed! but this one is even better. The style between MMU! and Not Quite Hollywood is extremely similar, because they were both done by the same guy. The same awesome guy, whom I now love.

NQH is about the Australian film industry, specifically with regards to its origin as an exploitation film machine. Apparently, when things got started in Australia back in the 60s, the only thing their film industry had to differentiate themselves from the US (besides price) was the absence of a Motion Picture Production Code. Roger Corman gets wind of this (of course), blows into town and blam: the first wave of Australian is all porn movies. It’s really fascinating: these were big hit movies over there, polite grownups were going out to theaters and watching softcore porn. Their first national film star was a guy who starred in a series of films that was basically Arthur except instead of a stupid drunk, it was some Australian redneck walking around with his dick hanging out.

There are a TON of amazing movies shown in this one that I had never heard of; of course, because Corman was involved, there was tons of blood and guts interspersed with the nudity and sex. Why did I not know about these movies?!

Strongly recommended to everybody but probably not to watch with your significant other.

Nightmares in Red, White, and Blue

This is not only the worst documentary out of the five, it’s the worst documentary I’ve ever seen. It’s like 90 minutes long, and they must discuss over a hundred movies. They blow past EVERYTHING. It’s a real shame because it seems like they got tons of great interviews, and everything, EVERYTHING got cut. You’ve got John Carpenter starting to talk about The Thing, you’ve got Romero talking about Night of The Living Dead… they both get ten seconds. WHAT ELSE DID THEY SAY

Ultra-frustrating. If you’re a horror movie fan you will already know about 100% of the movies shown here and then be teased by a 10-second interview with each movie’s director. I’d watch a half hour about any of these movies! Instead I just get to know that the documentarian found out a bunch of interesting shit and didn’t share. It’s like Gates of Heaven in reverse: an interesting topic made uninteresting by not letting people stay onscreen long enough.

Nobody should watch this movie, it sucks.

OVERALL

• Everybody should watch Machete Maidens Unleashed! and Not Quite Hollywood (in that order), and then if you liked those consider the other two decent ones, knowing they’re not as good.
• Roger Corman is a total fucking badass and a national treasure.
• John Landis will be in your documentary, call him up, he’s not busy.

Link to comments.

FullofKittens

Jsoh and Jhoh Cable are time men, men who go through time and tell you whether or not games stand the test of time. Since this isn’t 4chan, you can see their work without it being deleted almost fucking immediately. Here’s the Caltrops Test of Time review for Super Mario 64, for the Nintendo 64.

Comments? Join us on the forum.

Editor’s note: The year is 2003. Web comic creator Roop Dirnup developed Melted Brain, a MMORPG-based strip that used, for the most part, actual posts by prospective MMORPG fans as comic dialogue. Thought lost in time, Caltrops will be posting a Melted Brain strip every Friday until we run out of strips. Click for the huge version.

Link to comments.

Roop

Editor’s note: The year is 2003. Web comic creator Roop Dirnup developed Melted Brain, a MMORPG-based strip that used, for the most part, actual posts by prospective MMORPG fans as comic dialogue. Thought lost in time, Caltrops will be posting a Melted Brain strip every Friday until we run out of strips. Click for the huge version.

Link to comments.

Roop

Editor’s note: The year is 2003. Web comic creator Roop Dirnup developed Melted Brain, a MMORPG-based strip that used, for the most part, actual posts by prospective MMORPG fans as comic dialogue. Thought lost in time, Caltrops will be posting a Melted Brain strip every Friday until we run out of strips. Click for the huge version.

Link to comments.

Roop

Sorry for the long time between updates. This time I actually mean it. Do you remember Crimson Skies? The Cable Brothers sure as fuck do. Enjoy their new video review!

Comments? Join us on the forum.

Sorry for the long time between updates. The Cable Bruddas have a new video review, and this time it’s for Chrono-Trigger.

Comments? Join us on the forum.

So I’ve finally finished the last DLC offering and here’s what I’ve got. I should also note that I really wanted to try out all the new perks so I installed the Perk Every Level Mod and the Sprint Mod for good measure. This was my third or fourth character and I started out with melee and explosives, but by the end of Lonesome Road I had enough skill points to be 100 in everything but barter and survival.

Dead Money:

I played this one months ago so everything’s a little bit fuzzy. Here’s what I do remember.

I actually kind of liked this one. The main complaint everyone seemed to have was the hologram stealth parts and finding the instant death radios, but I counted a total of 5 holograms and I thought running into a room, taking a quick look around, and running back before my head exploded was a good break and kept things tense. I also didn’t mind losing all of my stuff at the beginning of the quest and actually started storing all of my gear before heading into the other DLCs, just to make things fair and try out all the new guns.

Anyway, this one has you running through a dead city filled with poison gas, tons of traps, and reanimated spooky men with gas masks who you need to dismember to kill. The story is that Veronica’s old mentor went batshit and started kidnapping people to help him break into Charlie Kane’s private vault full of technology and heavy ass gold bars you can sell for 10000 caps (which you’ll need for the other DLCs). The new weapons are pretty basic, except for a holo rifle that’s pretty sweet, but I didn’t have enough energy skill to mess around with it so I stuck to my bear trap gauntlet so I could rip guys up.

Like I said, I liked the whole spooky survival horror thing they tried on with this one and I enjoyed the whole stealth and frantic collar beeping. I loved the new characters and thought Elijah was a great crazy villain. They also managed to make the city a huge confusing maze that completely negates your little compass friend and lets you feel like you’re really exploring. My only complaints are that you can’t go back after you finish and the final part is a bit bugged (can’t sneak out with a stealth boy, have to take the long way around no matter what). Other than that, great add-on, but like I said lots of people hated this one.

Honest Hearts:

Ugh. Boring as shit. The story is Caesar’s old bloodthirsty general and some other pacifist Mormon are babysitting two tribes and trying to deal with a third tribe of assholes. This one mainly adds tons of recipes and brings in tommy guns (yes!). Other than that, you’ll be exploring a barren park killing geckos, bears, and assholes. If you were ever really interested when people from the regular game would talk about the Burned Man or wanted to learn more about how Caesar came to power then go ahead. Other than that, I can’t really recommend this one. The end is pretty cool, but I feel like they did this just to add tribals and give themselves some cred.

Old World Blues:

Hell yes. Even if you hate the idea of DLC and everything it stands for, this is just something you have to try out. It’s heavy on the dialogue (It has Doctor Venture as a disembodied brain! Walking eyes!), but it is all gold. The entire quest is just a giant, campy sci-fi map with science gone amok. The weapons are all amazing (A minigun with a dog’s brain that barks and growls when enemies are near! A super stealth suit that auto-injects med-x and increases your sneak speed! Energy axe that freezes robots!), there’s some sweet bosses, tons of mini bosses and places to explore, and the characters are great. It also ties into Dead Money and Lonesome Road a little bit, so you can pick up Elijah’s super powered laser rifle and go to town on reanimated medical suits and robot laser scorpions.

You get kidnapped (again) and have your brain, spine, and heart removed and replaced. It’s your job to gather the tech to get you into the FORBIDDEN ZONE so you can smash the evil doctor and save your brain. Like I said, the story is campy and ridiculous and is probably the only time this game really got me to laugh.

Lonesome Road:

A little bit weird. This one actually gives your character (and ED-E) a backstory and all the stuff that should have been included in the game in the first place. Another courier named Ulysses wants you to see how you fucked up his life before he kills you. It’s not BAD but it’s just a little too late to be telling me exactly who my character is after I’ve already conquered Nevada. There’s a fun little mini-quest where you need to find a bunch of warheads to explode with your laser pointer to open up secret areas and kill crazed legion/ncr and a lot of room to explore and check corners for special items.

There’s not that many new weapons, but they are awesome. There’s a sweet rapid fire rocket launcher the game almost forces you to use by shoving ammo in your face, a copy of Legate’s sword, an insanely strong deathclaw gauntlet called Fist of the North Rawr (hell yes) that just ruins everything, and auto-stims. By now I was level 49, so I spent most of the time throwing mines everywhere and sniping people with rockets (it was awesome, but having 20 explosions on screen makes it almost impossible to aim after you start shooting). ED-E also gets some amazing upgrades (free 50% weapon repair once a day, free ammo once a day, anywhere workbench/ammo loader) and they do their best to make him adorable.

The quest ends with a pretty sweet boss fight and then opens up 3 optional full on combat areas (one of them has about 10 deathclaws and 20 underlings that all rush you and your rockets). It’s a pretty good DLC and feels way more satisfying than the Hoover Dam battle, but it’s still a slap in the face for the game to start telling me who my character is all of a sudden.

Quick Summary:

Dead Money – Positive
Broken Hearts – Negative
Old World Blues – Positive!!!
Lonesome Road – Positive